José Leonilson
When there are no bombs, glasses or lips
1989
Permanent pen ink on paper
26.3 x 33.6 cm
Courtesy Almeida & Dale Galeria de Arte, Sao Paulo
Price on request
“I understand the canvas as an object and not just as a painting to put on the wall. The painting interacts; if it’s hot, it wrinkles up; if it’s cold, it stretches, leaves the wall a bit and comes back.”
– José Leonilson
José Leonilson
Stilts; the ostrich
1983
Pastel on paper laid on paper
34 x 48 cm
Courtesy Almeida e Dale Galeria de Arta, Sao Paulo
Price on request
José Leonilson
Untitled
1983
Colored pencils and metallic paint on paper
48 x 34 cm
Courtesy Almeida & Dale Galeria de Arte, Sao Paulo
Price on request
José Leonilson
The sax
1983
Colored pencils and metallic pencil on paper
34 x 48 cm
Courtesy Almeida & Dale Galeria de Arte, Sao Paulo
Price on request
José Leonilson
Sheltering sleep
1986
Colored pencil on paper
48 x 33 cm
Courtesy Almeida & Dale Galeria de Arte, Sao Paulo
Price on request
José Leonilson
Untitled
1986
Permanent pen ink on paper
33 x 24 cm
Courtesy Almeida & Dale Galeria de Arte, Sao Paulo
Price on request
José Leonilson
Untitled
1985
Colored pencils and oily pastel on paper
32 x 47 cm
Courtesy Almeida & Dale Galeria de Arte, Sao Paulo
Price on request
José Leonilson
Pacific and Atlantic
1986
Colored pencils and metallic pencil on paper
33 x 24 cm
Courtesy Almeida & Dale Galeria de Arte, Sao Paulo
Price on request